Description
A sculptural ceramic vase by Roberto Rigon for Bertoncello, Italy, 1960s. Defined by its organic crescent silhouette, the piece features a softly textured, matte white surface. The form is carved into a bold crescent, with a deep cut-out and a single circular opening that gives the piece its distinctive, almost architectural presence. Both functional and decorative, it can hold a minimal arrangement or stand alone as quiet statement piece.
Bertoncello is known for its expressive, sculpture ceramics of the mid-century period, works that blur line between object and art, wherefrom takes precedence over ornament.
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