Description
A composition rooted in old-world technique, where material takes precedence over gesture. Built in layers of lime paint, sealed with linseed oil and natural pigments, the surface carries a quiet depth that feels both aged and immediate.
The work is painted on raw linen, allowing the texture of the fabric to remain present — not as a background, but as an active part of the piece. The pigments are absorbed, softened, and slightly muted by the oil finish, creating a patina that recalls time-worn walls and sun-faded interiors.
Rather than depicting, it holds. A study in restraint, material, and memory — where traditional methods are used not nostalgically, but with precision.
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